Looking to the future of accessible cinema, Amalya believes accessible cinema needs to go beyond captioning and audio description. It is a literal approach to caring for each other in a community setting- we strive to make spaces where everyone is included, and we go at a space where everyone can participate,” he said. “’We move together’ is an important slogan in disability justice. Recognizing that and utilizing that through creative means can result in amazing things, as everyone in the class proved with their projects.”Īmalya sees collaboration and community building at the forefront of the fight for more accessible cinema. “Audio description gives visuals a voice. “The audio description process allowed me to draw unfiltered attention to the way my body looks and reacts within that state, while the captions allowed me to give my dysphoria a visual appearance and voice as I contemplated the thoughts running through my head,” Arthur said. Arthur also used captions and audio descriptions on her own film to articulate gender dysphoria as a transgender woman.
Tris Arthur ‘24, developed captions for Reckless Eyeballing (2004), Christopher Harris’s “hypnotic inspection of sexual desire, racial identity, and film history,” according to the Criterion Channel, which is now streaming the film with Arthur’s captions. “We spent half the semester working on that project, then we created our own films that integrated AD and CC into the production of the film itself,” Jones said. First, each student created audio descriptions (AD) and closed captions (CC) for an existing film. The class was divided into two main projects, Jones said.
#Atlas cinemas professional#
“By the end of the semester, students understand the importance of creating accessible films and videos, know and practice the professional standards of captioning and audio description, and push the creative potential of captioning and audio description,” said Amalya of the course. Jones began the work in Amalya’s class this past spring. Kolbie Jones ’23 has produced captions and audio descriptions for the film Quarry (1970) by Richard Rogers, an experimental documentary about young men and women hanging out in Quincy Quarry during the Vietnam War, now available through the Harvard Film Archive. The course teaches students to produce and edit captions and audio descriptions for non-auditory, blind, and low-vision audiences. Identifying this problem and seeking ways forward is part of the mission of Assistant Professor Malic Amalya, who teaches VM 331: Accessible Cinema.
While most art houses, commercial theaters, and independent cinemas understand this, they are not equally accessible or accommodating for movie-goers. Today, the Atlas Cinemas Diamond Centre 16 boasts 3 Real D XL auditoriums.A shot from Richard Rogers’ Quarry, captioned by Kolbie Jones ’23Ĭinema is meant to be understood and received by an audience in diverse, enriching ways. Then in 2009, Real D digital 3D was also added to the list of improvements. Just three years later, immediately following the Atlas Lakeshore 7, the Diamond Centre became the second all digital theatre in the Cleveland market. The new auditoriums featured stadium seating, and all sound systems were upgraded to DTS. Being built just before the stadium seating craze, the Atlas Diamond Centre 12 received a facelift and expansion in 2004 to become the Atlas Diamond Centre 16. Seated in a new development in Mentor, Ohio, the first theatre named Atlas opened with 12 screens and modern amenities.
#Atlas cinemas movie#
With the most digital and Real D digital 3D screens in the area, Atlas Cinemas features the most diverse viewing options, with alternative content such as live 3D sporting events, concerts, and specialty films in addition to our movies.Īfter years of operating and closing smaller movie houses, Atlas Cinemas built its first brand new multiplex in 1997. Atlas Cinemas is dedicated to providing the best movie presentation, amenities, concession products, and movie theatre prices around. Atlas Cinemas is a local owned and operated independent theatre company in the Cleveland market.
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